External link to The Goldfinch by Donna Tartt: Book vs Film
Rating: 3 stars
Genre: Literary, Semi-autobiographical
Summary: Oranges Are Not the Only Fruit is a semi-autobiographical bildungsroman novel that draws upon the author’s own childhood and life experiences. In a small Northern town in the 1950s and 60s, Jeanette is being raised by her formidable mother as a good Christian girl who dreams of becoming a missionary.
However, after falling in love with one of her female converts, Jeanette embarks on a series of lesbian love affairs that will force her to confront the darker sides of her community. Determined not to choose between her love of women and her calling as a preacher, she must fight to retain her identity, sexuality, and faith intact. Continue reading Oranges Are Not The Only Fruit by Jeanette Winterson: Quirky Lesbian Coming-of-Age Tale
With The Goldfinch set to be released on Netflix this week, my article for the City Girl Magazine gives you all the info needed to make that tricky decision – book first or film first? Please do take a look and I hope you find it useful! Continue reading The Goldfinch by Donna Tartt: Book vs Film
Rating: 5 stars
Synopsis: Donna Tartt’s masterpiece The Goldfinch follows the story of Theo. Aside from his recently-gone-AWOL father, Theo is a relatively normal New York schoolboy. That is until his life is irrevocably shattered at the age of thirteen when he loses his mother in a suspected terrorist attack at a museum.
As a cast of wayward characters makes their way into and out of Theo’s life, he clings to the art his mother loved as a way of maintaining a connection with her. However, this remnant of stability will also be shaken when the art he treasures so much draws Theo into a spiral of criminal activity. Continue reading The Goldfinch by Donna Tartt: Encompassing Emotional Epic
Questioning the Canon is a new feature in which I hope to bring to light lesser-known books about a certain issue, which can be read alongside or instead of infamous ‘classics’.
People are starting to discuss whether the authors we hold up as cultural icons – Shakespeare, Dickens, Wordsworth – should be accompanied by previously marginalised writers. Our idea of what constitutes ‘great literature’ is becoming broader.
This can only be a good thing, as it means more diversity and social representation in what we read! Continue reading Questioning the Canon: Jane Eyre and Wide Sargasso Sea